Summer Of '47

Index

First Aired: October 23rd, 2000
Co-Executive Producer: Ronald D. Moore
Executive Producers: Kevin Kelly Brown
Jonathan Frakes
Lisa J. Olin
Screenwriter: Gretchen J. Berg
Aaron Harberts
Director: Patrick Norris
Isabel takes Max, Michael, and Tess back to the room where she found the Granolith. They stare at the huge, humming alien object, and Tess wonders if it can hear them. Max decides they should come back after school. Michael’s history teacher informs him that he’s already failing his class after less than a month into the semester, and demands that he complete a report about World War II by interviewing a WWII veteran. So a very reluctant Michael sits with one very cranky Captain Hal Carver, and halfheartedly attempts to get his story. After they cross-generationally snipe at each other, Carver finally begins to tell him the story of the Roswell crash in 1947. So Michael imagines himself in Carver’s place, as Carver recites his tale.

In those days, Carver was 21 and relegated to a desk job, thanks to a suspension he’d been given for joyriding, when he received the call about the crash. He and Doty (who looks like Max, in Michael’s imagination) are sent to the crash site to assist with the clean up of the debris. There, he encounters a pushy Southern reporter named Betty (Maria) who is investigating the crash. It is quickly apparent that there is a government cover-up in progress, and Betty/Maria thinks maybe Carver/Michael can help her get her story.

Carver/Michael also has a girlfriend, the gorgeous Rosemary (the gorgeous Isabel), who was widowed once and divorced twice, all before the age of 25. He says that their relationship is one of simple pleasure, but it seems Rosemary/Isabel has other "simple pleasures" on the side. She assumes a pair of socks she finds are his, but Carver says they aren’t. Rosemary/Isabel is also sassy and outspoken; when Carver/Michael asks her if she wants to hear about his day, she snaps back, "Absolutely not." They start to engage in some 1947-style sexual healing, when suddenly, they see someone spying on them outside of the window. Carver/Michael chases him away, and he and Rosemary/Isabel go back to bed. Later, Carver/Michael comes back to Rosemary/Isabel’s room, and discovers her with the 1947 model Sheriff Valenti (Kyle). Rosemary/Isabel is very upset because the military police have been there, so Carver/Michael storms into the office of Colonel James Cassidy (Valenti) to demand an answer. Instead of giving him the answers he wants, Cassidy/Valenti threatens Carver/Michael with permanent revocation of his flying duties if he doesn’t obey orders and stop talking to Betty/Maria the reporter.

Carver/Michael witnesses the disappearance of a nurse who was present at the autopsy of the alien from the crash, and conspires with Betty/Maria to expose the cover-up, but her story never appears. She is supposedly killed in an accident, but she leaves behind a key and a note for him. When Carver/Michael is informed that he will take an honorable discharge, he goes back to the restricted area, sees 2 sacks of 4 pods each, and begins taking pictures. Suddenly, he is confronted with two glowing figures, but when he realizes they are only trying to protect their offspring, he tells the beings to save them, and he leaves, chased by armed guards.

Back in the present, Carver tells Michael that inside the pod were what looked like human fetuses. Michael confesses that he was one of those saved, then uses his thumb to light Carver’s cigarette. They hug, and Michael is so transformed by the experience that he takes Maria to see the Granolith, thanks her for being there for him, and then tells her that according to Carver’s story, somewhere there are four more aliens like them.

Judith Gerber